










dubs. out.
The life and times of an inarticulate copywriter-wannabe trying to make it through ad school in the not-so-dirty South.


Cabell Harris' Ad Concept Development- Out of every professor at the Brandcenter, with all of the egos and the money and successes, there is still only one man whose life I would aspire to have. Cabell is the epitome of a man who has become wildly successful, wealthy and famous doing what he loves, and yet has still remained humble. What was great about Cabell's class is that he's interested in solving problems, not making ads. If there is a void in the human experience and a brand can fill that void, he's all for it. Ads are the last thing he wants, and out of everyone at this school, he has truly grasped the fact that this is where the business is heading.
Coz Cotzias' Concepts of Copy II- Last semester I called Coz a beast. A mean, tempermental, genius beast. I take nothing back from that statement. Coz is often mean--there's nothing untruthful about that--but he's always mean with a purpose. He cares about us, and sometimes I think we forget that. I've said it before and I'll say it again: Coz is the best professor at this school, and he's probably the best teacher I've ever had. He is the main reason for the Brandcenter's success, and I almost feel guilty now for ever doubting his methods. It took me a long time to realize that he wasn't holding us back, but instead (to use a lame metaphor) was laying the start of tracks that would let our trains go on their own. (Goddamn that was lame)
Wealth awaits the writer who values the art director over the dictionary.
We like to go with that one idea that we’ve really fallen in love with. That one idea that’s most highly evolved and expresses itself really easily. But you have to be careful about that Eureka moment where you have the feeling that you’ve found the perfect campaign. Because if you don’t apply scrutiny to your idea afterwards you can end up realizing that you haven’t been in love – you only had a mental orgasm.